Simple Effects

EFFECT LIST & FUNCTIONS 

FILTER:

• CUTOFF - This lets you set the filters frequency.

• RESO - This lets you set the filters resonance amount.

• TYPE - This lets you change between the three filter types (Low pass, Bend pass, High pass).

LO-FI:

• BITS - Controls the bit depth of the output.

• FREQ - Controls the sample rate of the output.

DISTORTION

• DRIVE - Controls the distortion amount.

• DAMPING - Controls a low-pass filter that can be used to soften the harsh overtones produced by the distortion.

CHORUS

• DEPTH - Controls the amount of LFO modulation.

• SPEED - Controls the LFO rate.

• PHASE - Controls the phase difference between the stereo LFOs. Giving you a wide stereo image.

• WET - Controls the mix between the dry (unprocessed) signal and the wet (processed) signal.
  
  

PHASER:

• DEPTH - Controls the sweep range of the modulation.

• SPEED - Controls the LFO rate.

• PHASE – Controls the center point of the phaser.

• FEEDBACK - Controls the resonance/feedback of the phser.

• WET - Controls the mix between the dry (unprocessed) signal and the wet (processed) signal.

  
  

ROTARY

• SPEED - Controls the speed of the rotary.

• BALANCE - Controls the balance between the rotary low and high frequencies.

• DISTANCE - Controls the distance between the “microphone” and the rotary, resulting in a room sound.

• WET - Controls the mix between the dry (unprocessed) signal and the wet (processed) signal. 

STEREO

• STEREO - Controls the delay time of the right signal, resulting in a wide stereo image.
• PAN - This shifts the overall panning. 

EQUALIZER:

• Q - Controls the bandwidth of the selected frequency
• FREQ - Controls frequency of the selected band between 20 Hz and 20 kHz.
• GAIN - Sets the gain in dB of the selected band between -18 and 18 dB.

COMPRESSOR:

THRESHOLD - Sets the threshold at which compression begins.

• RATIO – This determines the amount of gain reduction.

• ATTACK - Stets the time after which the compressor kicks in.

• RELEASE - Sets the time it takes the compressor to recover from the gain reduction.

DELAY

• Input - Controls amount of signal being sent to the delay.

• Time - Sets the time intervals between delays (in division of beat) ranging from 1 bar and 128 of a bar.

• DAMPING - Controls a low-pass filter that can be used to roll off the delay’s high frequencies, resulting in a “tape delay“-like sound.

• STEREO - Controls the amount of stereo spread of the echoes.

• FEEDBACK - Adjusts the length of the delay.

REVERB:

• INPUT - Controls amount of signal being sent to the reverb.
• TYPE - This lets you choose between the different reverb types. (Studio, Small Room, Medium Room, Stage, Large Hall, Mall Parking, Underground, and Tunnel). - Toggles between the reverb’s Normal and Dark settings. When engaged the reverb will darker/warmer.
• PREDLY - Controls the delay time before the reverb signal. 
• LENGTH - Controls the length of the reverb.
• LO CUT - Controls a high-pass filter that can be used to roll off the reverb’s low frequencies.
• HI CUT - Controls a low-pass filter that can be used to roll off the reverb’s high frequencies. 

*     OUTPUT - This lets you set the output volume of the effect's section.